Date Published: December 6, 2016
Publisher: Penguin/Berkley Prime Crime
While catering a gala for the Cruz Museum, Nora Charles agrees to look into the disappearance of director Violet Crenshaw’s niece, a case previously undertaken by her frisky feline friend Nick’s former owner, a private eye whose whereabouts are also currently unknown.
As Nora and her curious cat Nick pull at the string of clues, they begin to unravel a twisted tale of coded messages, theft, false identities, murder, and international espionage. Nora dares to hope that the labyrinth of leads will not only help them locate the missing young woman but also solve the disappearance of the detective. That’s if Nora can stay alive long enough to find him…
I twisted the knob and the door swung inward, almost hitting another furry shape crouched behind it. The cat that charged at me out of the darkness had a white body and an orange and white face. It’s fluffy white tail waved like a flag signaling surrender. It landed on all four paws and stood, back arched, bright blue eyes glittering.
I looked at Nick who’d sat back on his haunches and was calmly regarding the newcomer. “Is this what you wanted me to find, Nick? You wanted me to let this cat out of here?” I made an impatient gesture. “I told you I had things to do.”
I could swear that Nick shook his head. “Meeoow,” he yowled.
The other cat turned around twice, echoed Nick’s cry, and then shot like a guided missile back through the door. I peered cautiously inside. The room beyond was black as midnight, and I had no flashlight – nor did I have the cat’s extraordinary range of night vision. I felt along the wall and found a switch, which I flipped. Illumination revealed a flight of steps leading downward into what was most likely a basement or a storage area. Nick and the other cat were halfway down the stairs. Both paused, turned and looked at me and meowed plaintively.
“I do not have a good feeling about this,” I muttered. I cautiously crept down the stairway, emerging into what appeared to be the museum storeroom, filled to overflowing capacity with boxes, cabinets and trunks of varying sizes. I walked over to one and read the white and red printed label:
PROPERTY OF MEECHAM EXHIBIT
“Oh great,” I muttered. This was obviously the place where the packing was stored for the exhibit articles. The cats were dashing madly around the room – off to a large trunk on the left side, then back to me, around in a circle, and then back to the trunk. The orange and white cat began to mew pitifully as Nick chased a few red threads on the floor. Fighting the tingling feeling inching up my spine, I moved forward and saw a black Mary Jane dangling over the side, partially obscured by a swath of red satin.
With a sinking feeling, I walked all the way around, stopped and bit back a scream.
Daisy Martinelli sat sprawled in the trunk’s center, her neck cocked at a rakish angle, the red scarf tied around it pooled like a puddle of blood in her lap. One finger was caught in the scarf’s frayed edge, almost as if she were pointing. Her sightless eyes stared straight ahead, and a little bit of drool trickled out of the side of her mouth. Her arms were tangled in the folds of a scarlet cape looped carelessly around her shoulders.
I didn’t need to feel her pulse to see that she was quite, quite, dead.
About the Author
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